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Jul 1st, 2024 at 06:28:43 - Dave the Diver (PS4) |
I’m about to start rapid-firing these entries as I finish up the last of my PS4 games and sign up for a gaming-filled July with a month of Game Pass. The last longer game I had on PS Plus was Dave the Diver, which was so great. I had some vague idea of what it was, some hybrid of restaurant management sim and exploration/roguelike that got both praised and critiqued for the huge number of genres and gameplay activities it mashed together. Well, let me tell you, mash genres together it does. The restaurant management sim and the roguelike are the big parts, but there is also farming sim, Pokémon-style collect-‘em-all, minigames (one is a rhythm game, one is an endless runner game, one is an arcade shooter, etc.), and more. The whole thing is wrapped in a beautifully pixelated package that reminded me of an old JRPG, or like something quirky like Undertale. It’s super clever, it’s charming, it’s funny, and it’ll keep surprising you for the duration.
Here's the basic gameplay loop. (You are Dave, by the way, and you dive for fish to supply your friend’s sushi restaurant). There are three parts of the day: morning, afternoon, and night. You dive in the morning and afternoon. Catch the fish, prepare the menu for the restaurant, and then work the sushi restaurant at night. Repeat. There are, of course, a bunch of characters and a lot of things that happen around the basic gameplay loop. The diving is the exploration/roguelike. You’ll dive deeper and deeper, upgrade your suit, your oxygen, your weapons, etc. It can get repetitive, as you are constantly chasing the next upgrade. Dive, dive, sushi, dive, dive, sushi, dive, dive, sushi. But the Blue Hole (the area where you are diving) changes every day, so no two dives are ever the same. Some things will always be in the same spot, and certain types of fish and resources exist in certain depth ranges, so you’ll know generally where you need to go if you are looking for something specific.
There are probably a hundred types of fish overall, and coupled with the variety of weapon modifications that you get, and the fact that many fish and weapon mods require different strategies or actions to interact with, there is great variety in the combat. Simple seahorses and things you can pick up with a net. Then, your main weapon types are a harpoon gun (which has different “tips”—poison tip does damage over time, lightning tip has a chance to shock and slow fish, etc.) and gun guns (a basic rifle, a sniper rifle [my favorite because it can be used at distance to keep you safe!], a triple-shotgun, etc.). When you shoot a fish with a harpoon gun and bring its health down to some amount, as long as it’s not too simple a catch, you complete a quick-time event to reel it in. For the poison tip, you rotate the left stick; for the regular harpoon, you mash X; for the lightning tip, you press X when a needle passes through the sweet spot of a power meter; and so on. Most fish are straightforward to catch, but others are aggressive (e.g., the sharks) and pose a real threat to Dave. You will die, possibly a lot. I probably died 10 or 15 times during regular dives, which means that I lost all my stuff from my dives 10 or 15 times. It is frustrating to die, but it’s always your fault! Usually when I died, my inventory was full or over full (which slows your movement), and I was trying to kill a big shark or something before going back to the boat, when I should have just returned. I died more on boss fights, which are intense and creative with a trick or two you need to figure out, but those will just let you restart the fight, which was nice.
The sushi restaurant management sim was way more fun than I thought it would be. I tend to avoid management sims, but the way that it connected to the diving made it more meaningful. You catch the fish, use what you caught to create the restaurant’s menu each night, and help run food. You also invest your hard-earned money into hiring and training restaurant staff, and it’s satisfying to see the restaurant operating at peak efficiency! Sometimes there are special events at the restaurant, for example when a VIP (like a celebrity chef) comes to visit and demands a special dish. These extra challenges are fun, and you are rewarded with one of Dave the Diver’s amazing cut scenes.
I could sit here and write on and on about this, but I think that my favorite thing, and what I am most impressed by, is the attention to detail in every aspect of the game, from the art style to the sushi dishes. Dave the Diver integrated several genres (some of which I tend not to like) and put them in a package that I loved. I will probably think about this game for a long time!
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Jun 27th, 2024 at 10:25:17 - FAR: Lone Sails (PC) |
This is a short little sidescroller with Limbo/Inside/Journey vibes. Favorite parts: the musical score; the environmental events; and that it gives you no instructions, no tutorial. You begin the game at what looks like a shrine and walk to what looks like a vehicle. From there, you have to figure out how to operate the vehicle. It's not difficult, mind you, and some of its functional parts are conveniently labeled, but it's not immediately obvious what all the buttons do and how things interact.
And...well, that's the game! You learn how to operate the vehicle and go to the right until it's over. If you hit an obstacle, get out to solve a puzzle, which removes the obstacle, and continue. Along the way, you'll get some new parts to the vehicle, and there is some light "damage management" aspect to it, putting out fires and doing repairs.
You'll get a good feel for the environment, where the land is dried up (due to...environmental disaster? resource depletion?), and people have created these vehicles for moving across it. The aforementioned environmental events were neat and add some danger. It's certainly a solitary experience with some scenes for reflection where you can zoom out as your vehicle rolls across the landscape.
The end was interesting and sets it up for some sort of sequel, or at least other exploration of this world (which is currently on PS Plus and which I will play shortly). Yeah, short, simple, neat. The more well-known games in the genre are better, but this was a bit different with the vehicle management and definitely worth a look.
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Jun 24th, 2024 at 07:28:58 - Dredge (PS4) |
Dredge immediately reminded me of Sunless Sea, but it's simpler and friendlier. You are a fisherman who finds himself in a Lovecraftian sea, taking up the job of an angler at a local village. Not all is what it seems: at night, the fog rolls in an strange, terrifying creatures roam the water. Soon, an enigmatic figure calling himself The Collector sets you on your main quest, to find five sunken artifacts. There are, conveniently, five island areas on the map, so off you go from one to the other, fishing, upgrading your boat, and finding sunken things.
What I liked the most about Dredge was how it sucked me in to its simple gameplay loop. You go out, fish, return to town, sell fish. Use money to upgrade your ship, go out farther, fish, return to town, sell fish. Repeat. To fish successfully, you need specific rods for specific types of biomes (shallow, volcanic, abyssal, etc.), and faster engines to go farther. So, you can't explore unless you upgrade things. There are also messages in bottles, which you need to find to understand the story, special mutated fish (worth more money!), ship parts, treasure, and other things to find. You've always got a couple things you're looking for, always discovering new fish (I discovered about 50% of the total number, so there is WAY more out there!), or dredging up something useful.
There is also the underlying dread that keeps you moving. You generally only want to be out during the day; at night, things get dangerous. The dread made me cautious, but caution worked, in that I may not have experienced some of the more unnerving things in the game. That is, apparently if you don't sleep at night, you'll start seeing things and more weird phenomena will happen. But I almost always slept, and definitely never went two nights with no sleep, no nothing got too nightmarish. I wonder how nightmarish it gets?
The game itself is easy, with just the right amount of aforementioned dread, which helped lull me into its gameplay loop. You'll run into some rocks, see and hear other ghostly ships at night, and at the last island be harassed by swarming fish, but you probably won't die. I died one time from taking too much hull damage, and it just reloaded my last autosave from a couple minutes earlier.
The story is compelling and, along with the constant upgrading, kept me interested in moving forward from quest to quest, island to island. Each island has one main character on it, whose issue you have to resolve, whether it's finding their dead crewmates or reconciling a conflict between two brothers, before you can get to the main quest's artifact. I actually explored every single island on the map, sailed around looking for new characters, docks, shipwrecks, and other points of interest. There are some secrets scattered around, some shrines wherein you must place specific types of fish (I solved one and got an awesome crab trap), and some mysterious black rocks that never did anything for me and I have no idea what they were for.
Finally, I would also add that this is (weirdly?) an inventory management game. Since you're out fishing and collecting things, you will run out of storage space. All the objects are like Tetris pieces: you can rotate them and pack your hull just so. This was more satisfying than I thought, as in a typical game where I have to manage inventory space--say an open-world RPG--, I get frustrated. Making the inventory basically like a Tetris mini-game was a good call! It also helps that you're never far from somewhere to sell things. Your trips out to sea are always quick, so if you fill up, no problem. There's no penalty for going back and unloading, and it just takes a minute (plus, you'll get to sleep, and I was usually able to time my trips during the day).
Definitely enjoyed this one! There is plenty more to do if you want to collect all the fish, fully upgrade your ship, complete all the side quests. It's engrossing and tells a good story.
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Jun 24th, 2024 at 06:43:10 - Ghost of Tsushima (PS4) |
I went into this with almost zero knowledge of what it was. Within 10 minutes, after opening the map for the first time, I was thinking, “Oh no, I do not want to play another Assassin’s Creed game right now.” I played Odyssey a year-and-a-half ago and am haunted by question marks on a map and a ridiculously long (nearly 100 hours!) main-plus playtime. Ghost of Tsushima absolutely has Assassin’s Creed / Witcher 3 DNA, but it also innovates in some interesting areas. After finishing Odyssey, I wished for a “mere” 40-hour Assassin’s Creed game. Well, Ghost of Tsushima was basically that, but I realize that it’s not just the length of Odyssey that I disliked, but that the open-world formula is stale, even when it’s set in as beautiful a place as Tsushima.
So, I’ll talk first about the game’s biggest success. Sucker Punch created a cohesive feel to this game. Everything about it flows like the wind. When you are standing on a hill, looking out over a field of trees and brightly colored flowers, and the wind whips at your back, and you feel calm and peaceful and meditative, that feeling permeates the entire experience. The wind, the wind! How many games have tried to do something different in place of a traditional minimap with quest markers? I can think of none better than Ghost of Tsushima. The wind guides you to your destination, whatever you have set as a waypoint on your map. Flick the touchpad up and the breeze blows, indicating the direction toward your goal. I only looked at the map to set waypoints and to fast travel; otherwise, the wind immersed me in the journey.
Speaking of fast travel, it’s somewhat counterintuitive that they immediately let you fast travel through one of the most beautiful open worlds I’ve ever seen. Most games, for progression reasons, but also (I always imagine) to force you to look at the environment they’ve created, restrict your movement and fast travel until you earn it. Ghost of Tsushima says nope, everything about this game is going to flow, so players are immediately going to get a horse, be able to move as fast as they ever will be, and will be able to fast travel to any location they have previously visited. I appreciated this so, so much.
Another way the game flows is in your ability to go in and out of active quests, or “tales.” It reminded me of something I loved about MMORPGs, when you could run around collecting quests, then do a giant loop completing them all, then return to the questgiver area and turn them all in at once. You don’t “collect” quests like that here, but you can always just walk away and pursue something else of interest if you are in the middle of one, even a main story tale, and then return to it. This encourages exploring the environment. Often, I would be doing a tale, and I’d hear the bark of a fox, stop, find it, follow it to its shrine and pray; or hear the chirp of a golden bird, follow it to a new area of interest; pass by a torii gate to a mountain temple and detour to scale the cliffs, earn a charm, and take in the view from the top; then return to what I was doing. The game doesn’t punish you for exploring when you want to.
It’s neat how integrated the map question marks are in your exploration. There are multiple ways to be alerted to, and to find, those areas of interest. You can walk around and explore; you can complete an action that removes fog of war and discover new question marks from the map; villagers will alert you to tales and places of interest; the golden birds will randomly swoop down and chirp and guide you to somewhere you’ve never been; the fireflies will guide you to collectibles in town; the sound of crickets chirping in graveyards leads you to them; etc. And there are visual symbols for many such places, too: yellow glowing trees for fox dens; steam rising from hot springs for baths; tall banner flags for duels; torii gates for mountain shrines, etc. This bundle of modalities for finding areas of interest sometimes results in silly moments, though. You’ll obviously be going to a specific place, have it tracked on the map, and a golden bird will swoop down and “guide” you to it. For example, one time I was swimming out to an island—the only thing I could have possibly been headed toward—and the bird swooped down from over the ocean and started flying toward the island. Did it think I didn’t see it?! Obviously, I was going to the island! There were also times when the golden birds would lead me somewhere where I couldn’t figure out what it was trying to show me. Or when the golden birds would lead me somewhere, and I didn’t want to do whatever was there, so I’d leave, and then the golden birds would keep trying to bring me back there. Minor annoyance in an outstanding navigation system!
Many of the places you find on Tsushima yield peaceful, meditative moments. You can sit on a rock and compose a haiku, for example, and meditate on “perspective” or “loss” or whatever. Instead of forcing you to walk everywhere, inviting you to sit and meditate is how the game encourages you to appreciate the beauty of Tsushima. They worked it into the story, into the setting; it flows.
Finally, the combat flows. It is exquisite, of the “easy to learn; hard to master” variety. It took a while to get comfortable with because it helps if you are observant and calm, not easy for an action game. In many games, you can button mash, but Ghost of Tsushima rewards precision. For example, if an enemy is doing an unblockable attack (indicated by a red flash), you need to press circle just once to sidestep (then counter-attack!). If you press it twice, you’ll roll too far away to counter. There are a lot of combat toys to play with, from various types of bombs, arrows, knives, darts, things that distract enemies, stances that counter different enemy types, and so on. I will say that the stances seemed unnecessary, unless I was fighting a boss-type character. Enemies come in four flavors: sword guy, shield guy, spear guy, arrow guy…I feel like there was a fifth. And there are some easier and harder versions of each. The stances give you some special attack power against whichever enemy type, but once you learn to parry and dodge, you can kill enemies of all types just as quickly.
I must mention two fantastic elements of combat: duels and standoffs. It’s a samurai game, so of course you can duel. These are cinematic! They are always boss (or mini-boss) fights. They were difficult at first, but became much easier by the end, so much so that I killed the last two bosses without dying. There is one annoying thing about the duels though: your health doesn’t refill beforehand. You don’t always know when you’re going to duel, so it’s not like you can just heal up in preparation. And once you start a duel, as far as I could figure, there is no way to quit (unless you saved it beforehand?); you just have to keep trying. A few duels began with me at almost zero health and with no resolve (resource used to heal and use special attacks). Those ones resulted in me having to perfect the fight, at least until I could generate enough resolve to heal myself. On the plus side, I got really good at the combat. I imagine this was done on purpose to increase the player’s resilience or perseverance or something related to samurai values. The other awesome combat mechanic is the standoff. When you approach a group of enemies, instead of charging in or going stealth mode, you can challenge them. You hold triangle and release it when the enemy attacks for an instant kill. Later, enemies start feinting, and I lost my fair share of standoffs from being too trigger-happy. You can upgrade an ability such that once you win the initial standoff, you can one-shot the next two or three more enemies who come charging at you. I really enjoyed entering combat with a standoff instead of sneaking around. The stealth in this game is passable, and there’s really nothing else to say about it!
The main downside of Ghost of Tushima for me is that the pacing is weird. I mean, it’s not a downside per se, but made me single-mindedly pursue completion by early in the second act. In the first act, I pretty much completed all the side quests and explored every “?” that I saw (though by no means did I explore the whole map). At the end of the first act, therefore, I had unlocked most of the sword techniques, all but one stance, and upgraded all my weapons most of the way. One thing that really helped with that latter achievement was the charm that doubles the amount of resources that you find. Once I found that charm, I was in Upgrade City. So, by the second act, I didn’t have much more to upgrade. The side quests aren’t all that compelling. The larger arcs follow your main companions’ personal stories, and the smaller quests are just “go here, kill Mongols.” They are often set up like they might be in the Witcher 3, like people are being dragged to their deaths in a murky lake. Whereas in the Witcher, you’d discover some cool monsters with compelling intrigue, here it is always bandits or Mongols. Always. You might think there will be something supernatural going on (the villagers are all superstitious), but there isn’t. It’s always bandits or Mongols! The main story tales are the main attraction, so by the beginning of the second (of three) act, I just plowed through those and finished the game. In the second act, I was still doing incidental question marks, but by the third, I ignored everything else. The “blue” tales yield special weapons and armor, but they generally took a while, and I realized that whatever armor I got from the main story was better than all the special quest armor anyway.
So, that’s the Ghost. It’s got everything you expect in an open-world game, with a tight theme and nice flourishes, like the wind guide. The main story is interesting, and you effectively are put in the shoes of a 13th-century samurai who struggles with tradition, honor, and family. If the story’s presentation were as great as the presentation of the open world itself, it would be even better. But, even though I enjoyed the story, I found the characters forgettable, probably because the voice acting and animations are pretty stilted. I said the story was interesting, not exciting (save for the massive act-ending battles). Some levity (besides the one sake trader) would be nice. If you are into open-world games, I’d recommend this one as a gem that goes at a slower pace than you might be used to; it’s often meditative. People who are into samurai stuff will no doubt enjoy it. For me though, I think I appreciated it thematically and in terms of a lot of design stuff more so than I loved the experience. Like, it was cool, but I don’t want to play more of it (and, indeed, I opted out of the DLC island).
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