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Sherlock Holmes: Crimes and Punishments (PS4) by jp (Apr 21st, 2024 at 00:26:13) |
This game is way more interesting than I initially gave it credit for (and I might even play all the cases, I'm that curious!)
There's a bunch of cases, you're Sherlock and you gather clues, investigate locations, use your special "eyesight", interrogate suspects, and more. So far, this is what you'd expect.
Some clues become more important and they show up in your "brain" where you can pair it up with another clue (if it's the correct one) to deduce something. Once you have enough of those, you can reach a conclusion. ALSO, once you've reached a conclusion you can decide how to act on it (usually it's either call the cops or call Mycroft - i think...).
What's really wild is that in the brain-connecting clues interface, you can reach lots of different conclusions! (I think it's 4 per case, at least it has been that so far and I've completed two cases). OH! And, as far as I can tell, the you can get it wrong! And, you just move on...the game calls some of them moral choices - which I'm confused by. But the idea that you could arrive at an incorrect conclusion and the game just moves on to the next case is pretty wild. So far, I've gotten both right (because there's abutton you can press that even warns you - like "spoiler alert" and it shows my result in green - which I assume is that I got it right).
Anyways, that's super cool!
Oh, and the game haslots of little mini-games that you play once, and they're part of the story (e.g. taking sherlock's pulse, or arm-wrestling with a sailor)..
The 2nd case is pretty neat - it takes place in the UK, there's a missing train...and there are rich Chilean (and Mexican) businessmen involved! Whoah.
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Fights in Tight Spaces (PC) by jp (Apr 21st, 2024 at 00:19:38) |
This one's a bit weird and I'll confess I didn't play it that much (just played one mission - which is like 1/5 of a full run?). It looks like it wants to be SuperHot, but it isn't - that's ok. But, it has a "play the movie" of what you just did in a level that you would think would play fast and smooth and super action-y. But now, it's slow and it even pauses between card plays...so it looks rather boring, which is a real shame.
As for the game, there's interesting stuff going on, but I haven't fully understood everything:
a. There's a typical energy system for casting, but a secondary system (combo) that lets you play some cards with a combo cost. If you move in your turn you lose combo so it's sometimes tricky to get everything to pull off.
b. While playing I was disappointed (because it seemed unfair) that there are objectives (bonus ones) in each level - and I wasn't getting any because I didn't know what they were! Apparently they're actually shown on screen, but in a place I did not see or notice.
c. The game seemed a bit slow - I was just moving and getting out of the way as I waited to draw into a good hand of cards. This cuts the momentum for sure and also made it hard/impossible to accidentally hit the secret (not really secret) objectives. So, I'm curious to go back and try again with awareness of the objectives. They should help a lot - in that I'm more likely to try to "solve the puzzle" of each turn and hopefully get the bonus objectives.
d. It's strange that you have to pay to heal, but I thought it was neat that you can upgrade several cards (if you have the money) and that some cards are cheap to upgrade - there's different pricing for them!
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Hadean Tactics (PC) by jp (Apr 21st, 2024 at 00:11:34) |
Ok, I've now cleared the game (not unlocked everything, of course) and it really is quite fun and interesting. The 3rd character (which I was waiting on to try out because I wanted to clear the game with the 2nd one) is pretty neat as well though as I write this all I can really remember is that it has an orb mechanic similar to one of the characters in Slay the Spire.
The harder ending is basically another 3 levels, but they get shorter! The last one, if I remember correctly, is just the boss. I don't remember what deck I was running, but it was pretty good - in the sense that I had picked up some good combos..traps and all.
I'm going to stop playing, for now, mostly because the list of games too look at keeps on growing - one a week - because of the design seminar I'm teaching.
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Before Your Eyes (PC) by dkirschner (Apr 14th, 2024 at 13:51:13) |
I've been looking forward to playing this, especially after playing One Hand Clapping, which had a singing mechanic. That game activates your mic and you use your voice, raising and lowering pitch, to interact with the game. Before Your Eyes was similar in that the game activates your webcam and uses your eye blinks as input. Before Your Eyes works WAY better than One Hand Clapping, and it's the better game all around. I figure that detecting blinks (yes/no) is easier than detecting notes along the range of human vocal pitch, so kudos to One Hand Clapping for trying.
Blinking in Before Your Eyes doesn't do anything unless you do it over a prompt (mouse over the prompt, then blink to interact) or unless you do it when the metronome icon is visible, which progresses the story to the next scene. The rules are simple, and it became a game in and of itself for me to blink strategically. I imagined that at the end of A Clockwork Orange, Alex's eyes are forced open so that he could successfully complete this game. At times, I felt like holding my eyes open with my fingers. This is because your eyes will get tired/dry/itchy while playing and you will screw up and blink when you don't mean to, skipping dialogue or ending a scene early. That's frustrating enough. Make sure you do the blink calibration, but I think that no matter how well you do it, it will still occasionally register some non-blinks as blinks. This really didn't happen much for me; through calibration, I think I turned the sensitivity way down, and I wonder what effect wearing glasses had. But like I said, it works surprisingly well.
So, the game itself is narrative-heavy. It's an obvious play on the idea that a life can pass in the "blink of an eye." You're picked up by a ferryman of souls who asks you to tell the story of your life. Back in time you go to remember it: your childhood, your parents, your career, etc., blinking your way through each scene. I won't spoil the story, but there is a twist that I absolutely did not see coming (though I should have paid more attention to the mysterious dark scenes) that changes the narrative and the tone of the game. This is one you can spend time reflecting on.
Aesthetically, it's got a simple visual presentation, sort of painterly, with some really nice piano music. The voice acting is good, with the exception of the girl-next-door (who sounds the same at 10 as she does at 40). For some reason, they also used the same voice actor for your dad and her dad, which made the one scene with her dad calling her very confusing ("Why is my dad at her house?!"). But I liked the dad and mom's performances. I was wondering through the whole game if your character was mute and/or on the spectrum because he doesn't talk--only through a typewriter later in the game--and otherwise expresses himself through his prodigious musical and artistic talents. But I think he's just a silent main character, not actually mute.
Anyway, the game won a BAFTA for a reason. It didn't blow my mind, but it's a neat experience that's worth having. It's short too, doesn't waste your time. I'm considering incorporating it into a class.
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Stray (PC) by dkirschner (Apr 13th, 2024 at 12:00:39) |
Patrick and I have been playing this together this semester, and finished it a couple weeks ago. We were talking after beating it about despite how simple and straightforward of a game this is, it manages to be something new. Playing as a cat (and being able to do cat things like curl up and sleep, scratch things, knock objects off tables, etc., so cuuuute) was novel, and the setting and story were interesting. But really, playing as a cat. I smiled a whole lot throughout the game. The lil companion robot was cute too.
On the other hand, I was often tired and bored while playing, and literally fell asleep during several sessions. Patrick would be making dinner or something in the kitchen, and I'd snap awake, cat walking into a wall, and I'd pretend I had not fallen asleep, and that I was just watching the cat walk into the wall and thinking. Like how my dad always used to claim he was "resting his eyes" when he'd fall asleep on the couch.
I would not call the game exciting. It was a lot of wandering around the city and talking to robot NPCs, fetching things for them. The city is a really good-looking dystopia, and the robots are quirky, but I wish they had more dialogue. You don't get a sense that many of them have personalities besides whatever one-note thing they do. I mean, the lack of dialogue makes sense, and it's not really "dialogue" since the cat can't talk. The fact that you are a cat adds a whole layer of silly to the game. Like, why has this lil robot befriended a cat? Why are all these robots putting all their faith in a cat to save them? Cats don't understand what we're saying to them, and cats do whatever they want! Playing as a cat in a game where you're doing fetch quests (fetching is dog stuff!) and doing things to help people is very un-cat-like.
But, you know what? The ability to play as a cat and do cat things trumps how little sense it makes, and I would play as a cat in this dystopia again. Idea for next time: more cats. And what do you think? Were there cats at the end?! Optimistically, I think so.
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American McGee's Alice (PC) by craigstick17 |
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most recent entry: Wednesday 5 March, 2014
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Description:
American McGee's Alice is a single player, third-person shooter with puzzle and platforming elements. You play as Alice as she travels through an even more odd, steampunk version of Wonderland. It was developed by Rogue Entertainment and was released on October 6, 2000. An HD remake was released June 14, 2011 and is only available with the purchase of the games sequel, "Alice: Madness Returns."
Plot:
After the event's of the Lewis Carroll stories "Alice's Adventure in Wonderland" and "Through the Looking Glass,"Alice is sleeping when her cat knocks over a lantern and sets her house on fire. Alice survives, but her parents and older sibling are killed in the blaze. Distraught, she mentally shuts herself from the outside world and goes into a coma-like state. Several years later, Alice is lying in bed in a sanitarium. A nurse gives her a small, toy rabbit in the hopes that it might help. That rabbit then speaks to Alice saying that she needs to save Wonderland. Once in wonderland, the Cheshire cat tells Alice that the red queen has enslaved all of Wonderland and that only Alice can save them. After traversing all of Wonderland, Alice finally battles the red queen. The red queen then shows Alice who she truly is. She is Alice herself, but only the parts that believe she was the cause of the fire that destroyed her household. Alice realizes that destroying the red queen would mean that all of her guilt would be destroyed and she could live a better life. She does so and Wonderland is restored back to original state. Alice is then released from the sanitarium.
Gameplay:
The core gameplay mechanic are attacking. While this may seem rather small, the game makes a lot from it. First of all, attacking is varied due to the large assortment of weapons Alice has available. These weapons, or "toys" as the game calls them, range from the vorpal blade, which comes from short poem "Jabberwocky," to a game of jacks and throwing cards. Each weapon is unique and has there own special ability. For instance, the vorpal blades main attack is a simple hacking motion that is good for close enemies, but its special ability allows Alice to throw the blade at distant enemies. When using these special abilities, the player loses "meta-essence", or mana, and it must be replenish before it is used again.
Another puzzle mechanic are levers. These levers are normally used with puzzles that require a specific order in which the levers need to be pulled. There are variations on this puzzle, but not many. Another small mechanic is a power up system that is only available at certain times. Alice can find these throughout the game to give her a small boost for a limited amount of time. They are infrequent and are mainly used when a large wave of enemies are in a certain area.
Controls:
On PC, you control Alice's movement with the WASD keys and mouse. You jump with space and switch between weapons with the number keys. To do your main attack, you click the mouse button, and to do a special attack, you click the right button.
On the Xbox version, you move with the left and right sticks. The A button jumps and to switch weapons you use the left bumper and right bumper. To do your main attack, you press the left trigger or the X button and to do your special attack, you press the right trigger.
First Playthrough (PC):
Starting the game, I was immediately intrigued by this corrupt wonderland. The first thing you see after the first cutscene is the white rabbit, who tells you to not “dawdle” before running away, and Cheshire cat who is nothing but skin and bones and has a massive amount of tattoos all over his body, but he still has his signature grin. He and Alice have a conversation about the state wonderland is in, and I must say that the voice acting and writing for these characters is spot on. The Cheshire cat has a low, rumbling, British accent that fits perfectly for the character and Alice's cool, calm voice makes it feel like she knows where she is and that that the events surrounding wonderland do not perturb her. The writing feels like it would have fit into the Lewis Carroll stories. It has the same wit that I loved in the novels and it has enough dark humor to make me laugh from time to time. After this conversation, I entered the Village of the Doomed. This village is filled with gnomes who have been enslaved by the red queen. Alice sees the White Rabbit shrink and run into a hole and tries to do the same. To do so, she has to meet with the elder gnome who supposedly can shrink her in size. This section of the game, from beginning to end, is the tutorial of game. It's also a great way to show of its visual style. From the characters to the environment, everything, save for Alice, is morphed and mutated into weird angles and shapes that not only fit with the corrupted style of the game, but would very much fit into the normal wonderland.
After finding the elder gnome, he tells me that he can't do it himself, but there is a way to shrink in a “Skool” held inside the Fortress of Doors. He agrees to take here there, but only after getting some “meta-essence” from some card guards. Once again, as this is the tutorial level, I learned how to fight in the game. I realized that, even on the easy difficulty that I was playing at, the enemies take a lot of life away if they get too close. Since my first weapon found was the vorpal blade, I can only do close combat so, getting hit was pretty much a given. I'm also kind of surprised at how detailed the death animations are. Sometime the card guards would get sliced in half, they would roll up into a ball, or they would simply fall over.
Afterward, I had to do the first vine jumping puzzle. This was where I think the game started to fall apart. It was so difficult to find the right place to hit the vine in order to grab on. Not only that, but once on the vine, I could not find the correct way to move up and down. It was just so imprecise. Next, I caught up to the elder gnome and he took me to the Fortress of Doors.
Before I talk about the next level, I have to talk about the music. It is amazing. Without a doubt, one of the best soundtracks for a game I've ever heard. It all fits with the setting and it gave me the greatest sense of what the tone of the game is. Every song is unique in its own way, but the all have a few things in common. First, the percussive sounds in the background of each song sound like a broken clock that needs to be replaced. I think this was creative as one of the main characters, the white rabbit, is obsessed with time and in the game the mad hatter is obsessed with time, so this motif is very much suited for the game. Also, the instruments and sounds that are used in the music is just so odd and unusual. For instance, at one point, there seemed to be some type of toy piano being used as a percussive instrument which was weird in its own right, but it fit perfectly with the visual style and tone of the game. I did some research after playing and found out that the composer, Chris Vrenna, was the drummer for the band Nine Inch Nails, who were known for their odd percussive beats and experimental industrial sounds much like the sounds and music that are in the game. Anyway, back to the game.
After reaching the Fortress of Doors, I found another mechanic that I think was fundamentally flawed, the jumping. In the Village of the Doomed, it was not much of a problem as all of the platforms were close together, but here, I realize that the jumping mechanic is too hard to control. Whenever there is a platform that Alice has to jump to pair of silhouetted feet appear at the point were she will land. This may sound helpful, but its more annoying than anything else. First off, it causes the player to slow down progress and it feels tedious. Not to mention that every jump feels absolutely frightening. Like the vine puzzles, it just feels imprecise.
The Fortress of Doors is the best looking level that I saw in this playthrough. It makes me feel like I'm in some sort of vortex that I can only escape by going through doors. What makes it even nicer are the tiny details through the level. Occasionally, on certain screens, I would see a door from a distance coming closer to me. I would soon realize that this door was large enough to fill the whole place space as it would open and engulf the entire world for a brief second. It didn't have to be in the game, but it certainly help give the game some character.
After, entering “Skool,” I had to go to the library to find the ingredients needed to shrink myself. This ingredients where scattered around the “Skool,” so there's not much to say about this particular mission . I will say, though, that there were some other nice details a saw in the game. There are numerous cracks and holes in the floor that you can look through and see stacks upon stacks of books underneath the building. I realized that these books were holding the “Skool” up. I thought it was a clever touch. Also, this level has, by far, the most disturbing non-playable characters in the game. There are kids who are scattered in the level and all of them have some weird deformities on them. Some had their skulls sliced open and their brains were exposed and other had their eyes permanently open using some strange contraptions. I collected all of the ingredients and set of to the next level.
After my first playthrough. I definitely enjoyed myself. The game has a unique personality that is obtain through its visual style and sound design. The only real complaint I have is the jumping and vine puzzles.
Second Playthrough (Xbox):
I have the sequel to this game, “Alice: Madness Returns” and I decided to try my second playthrough with this version. First off, it's an almost perfect port of the game. It looks and sounds just like the first. The only problem I had with this version in terms of the port is the menu system. This complaint mainly comes from the options menu which, on the PC version, is a chart of the human brain that you hover over to change different options. They left this in the Xbox version and because of this, it was difficult to go to a specific options at times. Other than that its pretty much a great port.
I decided that I should make some progress with the game itself, so I went through everything I did in my first playthrough and ended up in the next level, The Vale of Tears. There's not much to say about this level other than one thing. The jumping is absolutely horrendous. The developers kind of got carried away with it at this point as nearly every section of the level is some type of jumping puzzle. The one that nearly made me rage quit was a puzzle where you had to jump from leaf to leaf down a small stream. The leaves are constantly moving so this puzzle was so difficult to get through. In my first playthrough, I mentioned a pair of feet that would show where Alice would land. They were completely useless in this part. Every time I think I knew where I would land, I would be off significantly. Other than that there's not much to say about this level. To exit, you have to fight the Duchess who wants to eat you. You defeat her and move on to the next level, Wonderland Woods.
This, so far, is my least favorite level in the game. It's completely filled with vine puzzles and is much to large to fit with the rest of the game. Most of the other levels took my about 30 minutes to get through whereas this one took me 2 hours. Not to mention that the look of this level is boring. It's filled with grays, greens, and browns that I personally found unappealing. Also, it's filled with vine puzzles which, as I stated in my first playthrough, feel imprecise. I nearly rage quit during the middle of this level due to too many vine puzzles. Like the Vale of Tears, not much happens in this level until the very end. First the white rabbit, which I have been chasing since the beginning of the game, is killed by a giant version of the Mad Hatter as he's walking. Also, you fight a giant, military-like centipede as the boss.
After my second playthrough, the game left me with a bad taste in my mouth. The fact that the last two levels I played were visually bland and the amount of jumping and vine puzzles did not help either. It just felt like a way to prolong the game time and it did a bad job at it.
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