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    Dorfromantik (PC)    by   dkirschner       (Mar 24th, 2024 at 19:54:36)

    Got this for free at some point and decided to give it a shot since it is well-reviewed and seemed like something outside of my usual. I wasn’t quite sure what to expect. It looks like a casual city-builder and mobile game. It’s definitely casual and definitely a builder of sorts, but it’s more of a puzzle game than anything.

    Your goal is to place various sorts of hexagonal tiles to build a landscape. Tiles can have, on any of their six sides, water, trees, grassland, fields, houses, and railroad tracks. You can rotate tiles and, ideally, match like sides. This nets you points. Not matching sides doesn’t net you points. You need points in order to get more tiles. If you run out of tiles, it’s game over. So, you have to strategically place tiles such that you maximize aligning edges with the same properties.

    To complicate this, some tiles have “quests,” which require you to string together x number of trees, houses, railroads, etc. So then you’re not simply matching sides, but you’re also trying to cluster certain types together in certain places depending on which quests you get.

    I found myself lost in it before realizing that I was almost out of tiles. I refocused and hit a stride, getting achievement after achievement for making long railroads, villages with tons of houses, etc., and built my stack of tiles back up. However, I have realized that if you don’t match like tiles early on, you’ll be disadvantaged later because you are “missing out” on points that you would have earned had you been more careful, and it will be difficult to “fill in” gaps that you’ve created. Another thing I realized is that you can’t “branch out” too much. You’ve got to remain clustered. If you branch out too much, then each tile you place can’t generate many points. It’s 10 points per matched side, so if you’re just like building a river straight out, each tile is only netting 10 points. If you are more clustered and placing each tile next to two or three others, then you’re getting 20 or 30 points per tile, and generating more tiles. It’s an interesting balancing act.

    There is no story; it’s a sandbox. There is infinite replayability to chase high scores and achievements. I’d be interested in giving it another shot and doing better, but I think I did really well for my first try. Maybe I’ll keep it on hand for a relaxing puzzle game. But I’ve got other stuff to get to!

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    Trials of Fire (PC)    by   dkirschner       (Mar 24th, 2024 at 16:38:43)

    I shouldn’t have purchased this. I must have been on a card battler kick, probably when I was playing Slay the Spire and Monster Train last year. There’s nothing wrong with Trials of Fire; it just doesn’t have the personality or the pizzazz that better card battlers have. In fact, playing it after Wildermyth, it comes off as a way less interesting take on the card battler/tactical RPG genre, and I can’t help but compare the two. The main difference, of course, is that Wildermyth has no cards; it’s a tactics RPG with procedural storytelling and character development that was really, really cool. Trials of Fire doesn’t have anything that is really, really cool. Trials of Fire has:

    - An overworld that manages to be duller than Wildermyth’s. The landscape is drab, and you just move around following a quest arrow, stopping on whatever blue question marks are around to try and find crafting supplies, food, obsidian (money), equipment, followers, battles (which is how you level up), and so on.
    - A stamina bar that means you have to rest and eat food. Resting or dragging food onto a character is also how you recover health lost in battle or through random events. As your stamina drops, your characters get stuck with debuff cards in battle, so you have to stop to restore stamina.
    - Time management that is not as interesting as Wildermyth’s. You have to make progress toward the golden quest arrow on the edge of the map, and if you are too slow, then your morale drops. If it drops all the way, it’s game over. So you are basically balancing your morale with your stamina and trying to keep your characters’ level high enough to win combat encounters (i.e., since combat is how you gain XP, you have to stop and fight to level up, but can’t stop too much lest you spend too much time fighting and your morale drops). This was less interesting than the incursion and enemy strength timers in Wildermyth.
    - Cards to collect and upgrade. Upon each level up, you can replace one of your existing class cards with another one, or choose to upgrade an existing class card.
    - Equipment to wear and upgrade. Equipment can be upgraded with crafting supplies when resting. Each piece of equipment bestows various cards on the wearer, and upgrading the equipment upgrades its cards, which is cool.
    - Unlockable character classes that can level up to award more class cards. The classes level up after a campaign, and I suppose that newly unlocked cards are available in future campaigns.
    - A bare bones story, random and generic events, simple quests, all of which totally pale in comparison to Wildermyth’s (and most other games).
    - Characters with no personality whatsoever, such a stark contrast to Wildermyth.
    - Bosses that pose a real threat!

    Regarding the latter, at the end of each quest stage (there were three stages in the quest campaign I played), there is a boss battle. The first two of these were easy enough, but the last one just about killed me. It was a dragon with 90 health (double the previous boss). It killed two of my characters, and only my hunter remained. My hunter had like 13 health and 11 armor, and the dragon was at about the same. My hunter was also backed into a corner, and in one more turn, the dragon would have moved in melee range and my hunter would have been stuck (you can’t use ranged attacks in melee range of your target). But I drew like the perfect combination of cards, did double damage with my first attack and then my last card did x damage, and if the target was then below y HP, it automatically died. Well, the math was perfect, and I killed the dragon. If I had drawn different cards, the dragon would have killed me. Intense for sure, but what the hell! The difficulty came out of nowhere in the last battle. Battles are not repeatable, by the way. If your party wipes, it’s game over and you start the whole campaign over. I would have been pissed, because, like Wildermyth, these campaigns are not short.

    Upon winning, your classes level up and you unlock some new cards for each of them. I unlocked a new class for achieving something or other. Then you just go back to the menu and start over with another quest. Wildermyth has that cool Legacy system with persistent characters that grow over time, but there’s nothing like that here. Given that the storyline for the quest campaign I did was so generic, I’m not motivated to play another one (and there is only one more story quest, then the others are like roguelike situations where you just play with daily modifiers or create custom campaigns or do a seasonal challenge or whatever). There are surely a bunch more cards to unlock, and there are 9 classes in total to unlock (for completing x quests, for killing y bosses, for spending z crafting materials, etc.), so there is more to do in terms of progression. But it’s just not that compelling! Again though, nothing is bad about the game, but man, I guess it’s just rare that I play something that is so disappointlingly generic.

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    Galactic Quest + Atlantic Quest (DS)    by   jp       (Mar 24th, 2024 at 13:19:19)

    This is a 2-in-1 game collection of match 3 games that, as far as I've played each, are exactly the same in terms of gameplay even though the story and art is completely different.

    The one notable thing about these is that it's a match-3 game that supports three different types of matching which you can switch between whenever you want. It's interesting because it means it's a lot harder to get stuck, and that you have to think in a few more ways in order to identify matches and such.

    The three ways to match are:
    1. Typical swap two tiles to make a match
    2. Connect three tiles orthogonally to make a match
    3. Tap on group of tiles that are orthogonally adjacent to each other to make a match.

    There's overlap between the three modes, of course, and in the 3rd one matches don't happen automatically when new tiles drop to fill in the space of tiles that were removed due to a match. So, there's an interesting effect that happens when you've made a match in the 3rd mode and then switch to the 1st mode! You can get a lot of tiles to auto-match and disappear if you've left the board with lots of groups of 3-in-a-row.

    Other than this little wrinkle, which was interesting to be fair, there wasn't much else to note in either game. There's trophies and interstitial puzzles to play between every 10 or so match-3 levels, but it's pretty light on everything.

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    Super Princess Peach (DS)    by   jp       (Mar 24th, 2024 at 13:12:25)

    Made it all the way to the final boss fight - against Bowser, obviously? - but I've struggled enough with it that I decided to call it a day. It's a multi-stage battle that, as far as I can tell, requires you to use your rage ability. That's ok, except that it's hard for me to recharge it during the battle so it's a bit more frustrating than simply having to learn attack patterns and dodge attacks.

    Now that I think about it, I might be "underpowered" for the end? There's lots of things I could have purchased but have not and I don't really feel like returning to old levels to "farm" them, so I feel it's better to simply move on.

    And this is a strange thing to say about a Nintendo game! (that it's grindy...)

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    Flower (PS4)    by   dkirschner       (Mar 21st, 2024 at 13:13:56)

    Played this after Journey, knowing that it was the same studio’s former game. I see the DNA in the aesthetics. It’s visually striking, with an emphasis on the musical score, which harmonizes as the player guides their flower petals through other flowers in the levels. Basically, you control flower petals, first a single petal in each level, and then a “swarm” of them by the end of each level.

    Early levels are really peaceful and serene. You’re floating through grasslands, intrigued by the beauty of the surroundings and the fact that you’re bringing life and color. At the end of one early level, you “enliven” a big old tree, which grows and blooms. It’s all very majestic. The first half was the best.

    Later levels change the tone significantly, as you float through areas that are like cold, dead, electrical grids or something. There are lots of power lines and electrical towers. It’s all very grey and drab. Gone is the color of the first half of the game. Touching towers can shock you, so you have to slow down and navigate between the metal to touch the flowers beneath them. Navigating the petals could be tedious, like when you miss a flower and keep circling around trying to get it, or in this later level when you’re trying to slowly creep through electrical towers. I was often unclear as to the “hit boxes,” for lack of a better word, of my petals and the other objects, which is why I’d miss flowers I thought I touched, or get shocked when I thought I’d avoided a tower.

    Anyway, the last level is like a triumphant return of nature to the gray city-scape, smashing through the electrical towers now. Take that, cities! Take this, industry! Eat dirt, electricity! Flowers rule! I did enjoy the revenge of destroying electrical towers. Interesting game for sure, and haven’t played anything quite like it, but the experience itself wasn’t as captivating as Journey’s was.

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    Crysis (PC)    by   c0mpguru

    Graphics are incredible.
    most recent entry:   Sunday 13 January, 2008
    SUMMARY:
    In Crysis, you play in the future as a US soldier, Nomad, equipped with a "Nano Muscle Suit" that allows you to have superhuman strength, a cloaking ability, increased speed and enhanced armor. Your primary mission involves rescuing a scientist who is trapped somewhere on an island. She sent out a distress signal so that someone could find her and stop the Koreans from opening an artifact that was discovered underneath Earth.

    GAMEPLAY (Session 1):
    Right off the bat, the graphics are incredible. I played it on the "High" setting and I'm amazed at how well they look. It does lag in certain areas, but other than that, some of the best graphics I've seen to date. So they start you off by jumping out of an airplane to a island. All you know is that someone is alive and they want to be rescued. Then something attacks you and you fall into the water below. This is (of course) the training level as you can do whatever you want before finding some enemy to kill. The suit has different modes and I enjoyed using those modes, especially the cloaking ability although it doesn't last long.

    Nomad isn't the only one who was separated so you have to go find everyone else. The voice-over acting is really well done in this game. It feels real. The chattering, the jokes, it all sounds as if it was really happening in the real world. As the game continued, it was fun sneaking up on someone while cloaked, grabbing them, then beating on them until they died.

    I really enjoyed playing Crysis for the hour that I played it. The story is interesting, but it feels familiar like other games that have something hidden underneath Earth's crust. It's really fun just turning on Strength mode and punching everyone to death, but that will get you killed if there are many soldiers around. Modifying the weapon you are using is pretty cool too but you tend to forget about it after a while because all you are really doing is shooting the same looking enemies over and over. The game does give you good training over the first level because it tells you what you could use each mode of the suit for, but throughout the game that's everything your suit can do...nothing else. They're fun to use (like cloaking) but if you don't want to use them, all you have is a FPS and it's just like other titles only with prettier graphics. It's just funny how they always send you to do missions and not any of the other teammates (although they might have some as well. We just might not see it.) Even with some little gripes (it's really just the training level so there isn't much there), it's a fun game.

    GAMEPLAY (Session 2):
    Continuing where I left off, I'm still in a forest on an island. It all looks pretty much the same except for some houses that you need to enter. This time I have to go rescue another one of my teammates...and complete mission objectives, of course. Mostly I was using the cloak to get past any enemies that I saw. But the AI isn't dumb. Even though you're cloaked, they can still hear you so if you're not careful, they'll start shooting randomly in your direction. It wasn't any different than the last time I played. The only difference was that I killed more enemies this time around...and I died once for being a bit careless...anyway, it was repetitive, but fun.

    Now, I think that the main characters are really well done. The voice acting is great and the graphics make them look lifelike. Right from the beginning you can see that every character has a history together. They are friends and they've been through a lot together, probably training or other missions. There are only four other people who go along with you to the mission, so you feel important. It does move the story along, but only because YOU have to do most of the missions. Pretty much every game does that because you are the main character so I don't think anyone is bothered by it...I'm not really.

    DESIGN:
    Crysis is not the best game out there, but it is really good. The modes on the suit add some changes to the gameplay, which makes it fun because with Strength, you can punch down buildings and kill anyone who is inside (always fun!), or become faster (kind of fun, but never really use it...). If you're like me you might cloak yourself a lot to sneak up on enemies. It's fun to through them at a wall.

    The levels of Crysis are not very different. You're in a forest for most of the game up until the alien species gets release (toward the end of the game). Don't get me wrong, the forest looks really, really good. Some nice foliage, trees, vehicles, houses, and the water looks incredible. All of this is really well done (even inside the alien territory, although it does look the same and I got confused a couple of times). This is one of the downsides of Crysis. I know that it IS set on an island and there is so much you can do with forests so I can see why they couldn't do so much.

    One of the things I enjoyed about Crysis were the cutscenes. The characters looked really well. DirectX 10 was suppose to be an improvement in gaming and although still new, Crysis looks really good while running in DX10. They have a DX9 version as well, but I haven't tried it. The textures on the faces and the suit look incredible. The details give the characters a realistic feel to them. Crysis is pretty much a system killer because you need a really good PC to play it on the high setting. My computer lagged somewhat during the cutscenes, but only when there was snow. Other than that they were smooth and the emotions on the characters' faces were in sync with the voice acting. Really well done cutscenes in my opinion.

    The game is really good. I would recommend it to a friend and I'm pretty sure that playing online gives more replayability to the game. I haven't tried it online though. Overall, really good game.

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