GameLogBlogging the experience of gameplay Legends (PC) - 06 Dec 2022 - by dkirschner’m almost finished with this one, which may actually be two games in one (?). As you complete levels and rescue Teensies, you unlock remastered levels from Rayman Origins, like tons of them. So, at this point I’ve completed every Rayman Legends level and every Rayman Origins level except the final one (and except something that requires you to 100% the game, collecting 700 Teensies [I have about 500]). I’ve never played a Rayman game before and am pleasantly surprised. It’s really fun, a charming, challenging, platformer. Basically, you run, jump, and smash your way through a variety of creative and visually appealing levels, rescuing Teensies (cute little smurf-like blue creatures) and stopping the bad guys. Levels are grouped into larger themes, each with a boss at the end, such as underwater levels (a giant sea serpent), castle/hell levels (a dragon), a Dia de los Muertos level (a musical running-type event), etc. All the Legends levels had a musical level at the very end, which may have been my favorite things in the game. They also have special challenging versions of the musical levels that are in “8-bit” (aka, the resolution sucks, you play the level mirrored, and various other challenges). Oh yeah, I forgot earlier, one other level I never beat was the “8-bit” level that uses all of the 8-bit level tricks in one level: poor resolution, mirror, four screens, etc. It switches in between them, so confusing. Seriously, look at this craziness: I’ll knock out that last Origins level at some point over the break and put a bow on this game. Good times. dkirschnerTue, 06 Dec 2022 10:13:32 UTC of Fate 2 (PC) - 06 Dec 2022 - by dkirschner is a sequel that obliterates the previous game. There is no reason to play Hand of Fate! This improves upon it in every way. Highly, highly recommended if you like tabletop games, card games, dungeon crawlers, RPGs. I’ve still never played anything quite like it. The narrative is more cohesive this time: the Dealer slowly leaks clues to who you are, who he is, why you’re with him, and how you’re going to help him wreak righteous vengeance upon his enemy. This is accomplished through the campaign map, as you move from scenario to scenario, eventually assassinating the Emperor and escaping the pursuing imperial forces, before the final reveal, confrontation, and conclusion. There are countless other stories woven throughout, which really bring a sense of place to the game. I felt like I was in a real fantasy world. You visit cities, mountains, forests, and fields, all represented on the map, as the Dealer moves your game piece here and there. Persistent characters (including your four companions) appear multiple times, like the High Priestess in the north, whom you first encounter in a scenario where you have to acquire blessings to enter her Ritual House at the summit of a mountain to gain favor with the Northerners. Acquiring 6 or more blessings gets you the gold token for the scenario (successfully completing all objectives), and acquiring less than that, and still beating the boss on top, gets you the silver token (completing the main objectives). Each of your companions also has a story to discover, which all cleverly culminate in the conclusion, and each can live or die. Companion stories are told through card quests, which is how so many other fun stories are told in the game. Some cards have tokens on them. When you land on the card in a scenario map, you have a chance to satisfy its requirements and obtain the token, which moves the quest along, and you’ll get the next card in the quest. For example, Malaclypse, a mage and your first companion, as well as the only companion whose quest I completed, first asks you to travel with him to meet a friend of his from whom he needs a favor. If you flip the card in a scenario, you meet the friend, who asks for 10 gold as payment to consider the favor. If you have 10 gold, you can try the event; if not, try again later. So, pay up, and the friend requires a test of skill from you. In this case, the event is a dice gambit for each of three dialogue options you choose. I tried this event a few times; I think one of the options is the “correct one,” so first you have to choose the right one, then pass the dice gambit, before winning the card’s token and getting the next part of the story. There are probably a couple dozen quests like this, along with about 200 other Encounter cards. Dice gambits mean throwing dice to hit a target number. Other gambits are chance card gambits (basically playing cups, same as the first Hand of Fate, and my least favorite), wheel gambits (spin a wheel of cards and try to stop on the one you want [if it’s going slowly enough for you to even see what the cards are!]), and precision gambits (my favorite, where you stop a pendulum at precise points). These can all be modified by companions (each companion gives you an edge in one type of gambit in exchange for being unavailable for the next three combats) and items. There was a handy ring, for example, that adds 2 to all dice rolls, and a helmet that lets you see the cards in the wheel gambit and duplicate one before spinning. These items, and the companion abilities, are extremely useful, because these gambits are not easy. You’ll lose a lot, which on the one hand is frustrating, but on the other heightens the tension so, so much. This is a game about games of chance (“games within games within games,” as the Dealer likes to say), so it’s purposeful, you can get better at three of the gambits (dice rolls are still just dice rolls, purely luck), and you can choose cards and use companions to maximize your chances of winning, and consequently minimize your chances of failure, which can result in some brutal outcomes if you’re really unlucky. Anyway, I’ve skirted around a clear explanation of how the game works. Before each scenario, you choose cards from your deck. Each scenario awards specific cards upon completion, so your deck starts small and grows. There are companion cards (usually you can bring one companion along), encounter cards, equipment cards, and supplies. Encounter cards are those that determine the events that take place in the scenario as you traverse the map and attempt to meet the scenario’s objectives. Encounter cards can result in combat, gold rewards, food rewards, equipment gain, blessings, curses, loss of max HP, all manner of things both good and bad, and often require you to choose dialogue options and attempt gambits that influence the outcome. These are the cards you strategically choose in order to get the stuff (gold, food, equipment) you need to survive the scenario. Equipment cards (weapons, helmets, rings, etc.) determine what equipment will be available to you in the scenario when you can get equipment from encounter cards. Choose equipment that is best for fighting the enemies you may encounter, or that provides useful bonuses (e.g., if you know there are a lot of dice gambits in the scenario, and lots of combat against thieves, then choose equipment and encounters that will help, like that ring I mentioned, and light weapons, which are best against thieves; if you know that the scenario map is huge, then you’re going to need a lot of food, so choose equipment that generates food, and encounters that offer food as reward). Supplies cards are the cards you begin the scenario with. You start only with some shitty options of rusty weapons, but eventually, you can start with better weapons and armor, some useful rings, extra food or gold, and even a bonus to your max HP. Again, depending on what you know is coming in the scenario, you can choose wisely. Hand of Fate 2 has a wonderful set of filters to choose cards (don’t remember if the first game did this), which make it easy to find those that are the best for a scenario requiring high max HP or curse resistance or combats against Northerners or whatever. Each scenario tells you three pieces of information (e.g., Do not expect to be welcomed by Northerners while treading on their lands; Gain blessings to increase your chance of success; etc.), so you generally know what you need to prepare for. Of course, the game constantly throws curveballs at you, so you should always be prepared for anything. When your cards are ready, you begin the scenario. Your character is represented by a game piece on the scenario map on the table. The map is literally made of cards (encounter cards you chose and other scenario-specific cards). You move one space at a time, flipping over the cards you land on and doing whatever the event/encounter happens to be. You progress through the scenario like this; typically, each scenario has a few levels, so you’ll reach some specific card (e.g., catacomb stairs, a river crossing, a combat encounter) and be whisked to another map of cards (e.g., the next level of the catacombs, the other side of the river, etc.), until you get to the end of the scenario. And that’s it! The only other thing to mention is sort of like the white elephant in the Hand of Fate room: the combat. The combat sucked in the first game. It’s much better in the sequel, but is still not great. Now, you have companions who join you in combat (and you can trigger their special abilities), you have more special abilities through the use of artifacts, the controls are smoother, enemies can no longer hit you while you are in mid-attack animation, the equipment and enemy variety change things up a bit more, but it’s still pretty basic hack-n-slash. You can dodge roll your way to victory when in a hairy situation, letting your companion do most of the work. You can sit back and wait for attacks to counter. Enemies can be quite aggressive though, especially some of the thieves and boss types, and combats frequently have three (and later, more) types of enemies at once. You can be on the map with 15 or 20 other units, which is a lot to keep track of. You do have to learn to parry/counter and dodge, or else you will die. I died in combat a handful of times; it’s not always easy, and can also be frustrating, in part because you have to be quick with your button presses. I also ended a handful of combats with dangerously low HP, like one-more-hit-and-I-lose low, including the final boss, which took me maybe 5 tries. Gambits and combat both had me out of my seat yelling from time to time…I did have a combat bug for the entire game. One enemy type, the Corrupted (think zombies), was completely broken. The basic Corrupted enemies, upon combat start, walked to the edge of the map and skirted its circumference. This happened every time. They rarely attacked. They just, like the brainless zombies they are, looked like they were trying to leave the combat arena. Needless to say, I knew every combat and scenario featuring Corrupted was going to be pretty easy. I looked this up afterward, and it’s a known bug, but somehow has never been patched. I guess it’s cool if 15% of the enemies in the entire game don’t work right? And that’s really it! Tempted to buy DLC and play a few more scenarios with new companions, as well as complete card quests, get gold tokens on every scenario (which requires completing every companion quest for the final scenario!), pursue unlocks and achievements, and so on, but of course, the backlog calls, and honestly, given how chance-based this game is, I can see it taking foreverrrrr to achievement hunt. dkirschnerTue, 06 Dec 2022 09:58:15 UTC Dogs 2 (PC) - 30 Nov 2022 - by dkirschner is GTA with hacking. Overall, I enjoyed it, found it a breath of fresh air in open world games. Although the GTA formula is nothing new, the hacking kept me engaged; actually, I became more engaged over time as I unlocked new abilities and wrapped my head around the hacking puzzles. This was a freebie on Epic. I never would have bought it, but am glad that I played it (though it subjectively felt like forever, took me all semester, yet told me in the end I clocked only 29 hours). By far my favorite aspect of the game was the setting. San Francisco is beautifully depicted. The game starts you—a Black character named Marcus—by the ocean, a pride flag waving in the breeze. Immediately, representation matters. There is a city councilwoman who is trans. The Watch Dogs version of The Church of Scientology attempts to blackmail her by releasing her gender reassignment surgery photos. There is also a hacker in a rival organization named Lenni, who is a masculine-presenting woman. I don’t recall references to her sexuality, but apparently it used to list that she “appears to be a lesbian” on a fan wiki I’m looking at ( There are strings of comments with people asking that “appears to be a lesbian” be removed since the author is assuming sexuality from gender presentation, and of course counter comments that are as ignorant as one could imagine. The city is full of what makes San Francisco cool, and the developers take a firm stance on the side of diversity and inclusion. Case in point: the corrupt politician in the game is obviously a reference to Donald Trump. His name instead is Truss. He wants to “Make the Bay Area Stronger!” And, humorously, he tries to rig the election, the very hill Trump chose to die on four years after the game’s release. One of the game’s (optional) activities is to find local landmarks through an app (like TripAdvisor) and take selfies in front of them. Posting selfies on Watch Dog’s social media app nets followers, which gets you research points to spend on ability upgrades and cosmetic items. I didn’t care about the cosmetic items, had more research points than I knew what to do with by the end of the game, but boy did I love exploring San Francisco’s unique locations. I spent a good chunk of my playtime finding them, and I just remember that I missed one! Argh! It was some people playing as zombies in a graveyard at night; I never returned after dark. You can photograph obvious ones like the Golden Gate Bridge, Alcatraz, and that really steep road, various murals, sculptures, and other artwork, well-known street performers and restaurants, and so on. I think that if the game’s location was not so cool, I would not have kept playing, because the gameplay took time to grow on me and I wasn’t enamored with the main characters (Marcus was pretty cool, but they descended in coolness from there [note: my opinion would be different if I was a 15-year-old boy]). I said that the gameplay took time to grow on me. That’s partly because it doesn’t differentiate itself much from GTA in the beginning. You can 3d print a gun, hijack a car, and cause general mayhem within minutes. Your first hacking tools are basic: open doors, hack cameras, hack people’s phones. The latter activity is humorous for a while, until you realize how little sense it makes. By hacking people’s phones—and you can do this to any NPC—you see their mood, job, income, and a random fact. Like, “David Kirschner 😊. Sociology Professor. Salary: $60,000. Eats old food instead of throwing it away.” You can also transfer money from their bank account, listen in on their calls, and read their texts. Interesting for a while, then repetitive. The professions and salaries make me laugh sometimes. I think I did see a sociology professor, but the salary was like $150,000. Wishful thinking. Delivery drivers will make $200,000, while a tech CEO will make $30,000. It seems random. The random facts are all “dirty little secrets” like “likes to wear women’s underwear” or “picks her nose when no one is looking.” Hacking presents more opportunities for annoying people instead of just killing them GTA style, and over time the puzzles open up. Some of the “annoy people” type missions are pretty funny though. For example, there is a side mission where you hack an ATM and mess with customers: eat their card, donate their money to charity, etc. The people get so mad. Main missions are more serious, and as I came to enjoy the gadgets I had access to (a remote-controlled car and a drone) and learned how to solve the hacking and platforming puzzles, they became easier. Puzzles generally involve (a) using gadgets to (b) get to a high or otherwise unreachable place to (c) bypass security locks. As evidence of the moment of my mastery here, I completed a series of “tagging” missions, which culminated in figuring out how to scale the highest place in the game, the Golden Gate Bridge. Getting to high places often involves finding the machinery to get you there: forklifts, cranes, and the like, which you can hack to transport you from rooftop to rooftop, for example. The hacking puzzles themselves are neat. They are a bit difficult to explain. Imagine looking at a wall, and on the wall you see a network of cables with various switches. There is a “power source,” and you route the power through the cables, rotating the switches in the correct way to unlock more switches, and eventually channel the power to open a door or whatever is the object of the puzzle. That’s one of the basic puzzles, like some cables in a wall. Now, imagine later puzzles: cables crisscrossing up the side of an entire building; cables going up walls and across ceilings through several rooms in a server farm; multiple of these rooms, connected by satellites, spanning the globe! You can do other things with your hacking skills too, and you’ll need to, because despite the option to attempt playing this game like GTA, that path will lead to frustration and (character) death. While driving, you can disrupt the power grid, change red lights, make other cars swerve, and blow up manhole covers. All this is mildly effective at deterring the police, and I mainly used these tricks to cause chaos for fun. Although, you’ll rarely be driving long distances unless you want to. There is a generous fast-travel system that’ll get you within a few blocks of most anywhere on the map. As far as going on the offensive on foot, you’ll make use of disrupting people’s phones so they can’t call for back-up, you’ll turn their phones into remote bombs, zap them with electric shocks, and my favorite, put a hit on people and call in the local gangs to take them out. This latter tactic is hilarious, AND for some inexplicable reason, gang members can get through any locked door, so it’s instrumental for bypassing security! You just follow them in, then watch them murder your enemies. As long as you don’t shoot at anyone, they’ll leave you alone, and you can take a leisurely stroll through the high-security building, to the third floor, into the CEO’s office, hack his computer, or whatever you are doing, and no one is the wiser. Need to leave the area afterward? Just call in another hit and leave amid the chaos. No problem. This latter phenomenon is an example of Watch Dogs 2 being GTA-lite. It’s GTA with hacking, yes, but it’s also a GTA that doesn’t do anything else as well as GTA. The AI has quirks. Enemies quit searching the area for you, for example, even if you are obviously still nearby; they aren’t thorough. The gang members getting an open invitation to enter buildings is weird. Enemies will go into high alert after you shoot someone with your stun gun, hidden behind cover, while they won’t bat an eye when you turn an enemy’s phone into a remote explosive or otherwise cause environmental damage. In my last play session, I began in the middle of a highway (I guess I stopped in the road before turning off the game last time). A motorcycle approached. A car stopped behind it. I was causing a traffic jam in one lane. The woman on the motorcycle got off and hurled insults at me. Cars swerved around us. Another car got caught in the jam. The woman decided to run down the interstate herself. Another person got out of a jammed car, yelled at me, and ran down the interstate the other way, causing another pileup before eventually getting struck and dying. I could see her corpse in the distance in the slow lane. This was all really funny, and I let the havoc unfold for about 10 minutes. My girlfriend was sitting next to me, and we both became invested in the drama. I suppose that’s a draw of these kinds of games. They aren’t supposed to be hyper-realistic. The systems aren’t supposed to be perfect. The imperfections create a lot of the humor, the playfulness, and the stories that emerge from gameplay. I think that’s why I kept playing, because even though the characters were kind of annoying, the clear Anonymous vibes from hacker group DedSec were cheesy, and it was way too “cool” for a non-teen like me, it was always fun. What more can you ask for? dkirschnerWed, 30 Nov 2022 19:51:41 UTC Boom Bang! (DS) - 30 Nov 2022 - by jp'm going to guess that this game is better when played with live humans - that being said, there is a "campaign/story" mode, and - wow, what a mess. There's so much that's unclear, hard to control, or even understand. The game is basically Mario Party, on the DS, but with Crash Bandicoot (and friends). And, it mostly doesn't make much sense. Maybe I missed a tutorial? Or, to be fair, I was playing without having looked at or read the manual. There's lots of UI stuff (menus, not in-game) that felt sort of hit-miss as I fumbled around, and the games themselves. Well, lets say that the AI is either unfairly too good, or that I'm just terrible at it. The latter might be fair, but the difference in scores suggests that there might be something else going on.jpWed, 30 Nov 2022 14:50:15 UTC Piñata: Pocket Paradise (DS) - 30 Nov 2022 - by jp's another game I didn't spend too much time on, but enough to get a general vibe. It's definitely a "sim" game - you need to manage a bunch of stuff and so on, but it is structured in a way that seems rather straightforward - as in, the piñatas that appear have certain needs and will appear in a certain order. I recall that there was a TV show, but I was surprised that the game has lots of footage from what might be that TV show? Or maybe that was all in the original 360 games? Anyways, I was surprised by how much footage (it doesn't look great, tbh) there is in the game - and this is only for the tutorial missions and a little bit more. As I write this I guess I'm even more surprised that the IP seems to have disappeared entirely? As for the gameplay? Well, it's not the sort of thing that gets me excited, and I was think it's interesting how the savagery that's a part of the game (kill piñatas to feed the ones you have) remains front and center in the game. There's also some of that in how you can knock critters around with the spade and stuff.jpWed, 30 Nov 2022 14:44:02 UTC The Recruit (DS) - 30 Nov 2022 - by jp've always been a bit surprised at how few "GTA clones" there are given the success of the series. Sure, there's Saint's Row, and Ubisoft would probably count their open world hacker game I'm drawing a blank on as I write this. (Oh, it's Watchdogs!). I think there are a few older ones - sort of circa GTA III era. So, imagine my surprise when I boot this game up - went in blind - and, lo and behold it's a GTA-clone (I don't use the term pejoratively here). You've been newly recruited by the cops because something's going on, you drive around to different locations to do missions, you can stop/hihack card (but, you're a cop here - so, it's commandeering?). There's guns and shooting and a minimap that looks very familiar. There's also collectables including taking snapshots in special locations and more. Like, wow. This really is the GTA template in DS form. Technically quite impressive - it has all the 3rd person 3D stuff going on (rather than the handheld GTA games that went top-down view if I recall). Sure, there's technical limitations - and it's a bit amusing to watch vehicles up-rez in LOD as you get closer to them. And I really couldn't work my way through the UI - I have hard time holding the DS and aiming and firing all at the same time (with stylus). Maybe it's the extra large and heavy DS XL that's to blame here? The game is set in NYC - and there are recognizable landmarks and all the good stuff you'd expect. Oh, there's also interior locations to run around in, chase missions, and more. What doesn't seem to be there is the humor and style of GTA. Here the characters (in cut-scenes, not the 3D models) are western-anime style. It makes me wonder who made the game, and I've now noticed it's also published by Ubisoft!jpWed, 30 Nov 2022 13:17:23 UTC From Off-Peak City Vol. 1 (PC) - 24 Nov 2022 - by dkirschner was a little less interesting than Off-Peak and The Norwood Suite. The art was less surreal and imaginative than The Norwood Suite. And whereas that game was self-contained, about exploring the life and death of Peter Norwood and his music, this was half a game, "Volume 1," which basically involves making and delivering pizzas. The former I appreciated for the art and culture in the world; this one, the best thing was seeing what customers said when you put weird shit on their pizzas. Granted, it was really funny and I definitely laughed a handful of times. But also as with The Norwood Suite, the conversations can get a bit long. Since they're so dang weird, it's easy to get bored, like, "Okay...where is this headed? Half of this game is people talking about pizza toppings..." It's building to something (an evil corporation destroying a neighborhood) and I'm sure I'll play Volume 2 when it comes out. Actually, I just searched for its release date and saw that Cosmo D has another recent game, Betrayal at Club Low, which is...maybe a sequel to Off-Peak City Vol. 1? These games are all so weird. I have no idea. But I'll buy it!dkirschnerThu, 24 Nov 2022 22:33:49 UTC Snap (iPd) - 13 Nov 2022 - by jp This one's an odd duck on more ways than one: 1. You don't get new cards by collecting money for lootboxes. You get new cards by upgrading your existing ones that makes you progress along a track. The upgrades are purely cosmetic. 2. Make a deck of 10 cards, but you'll (usually) only get to use 5 or 6. The game plays in 6 turns with an automatically increasing mana source - just like hearthstone, but it's all in the locations! 3. There are 3 locations you play cards to - and the locations have effects and the effects are revealed on turn 1, 2, and 3. The effects can be pretty significant - setting game rules, adding cards, boosting, etc. The effects are super important in making the game work successfully because they add tactical considerations. In other words, how you use the cards you have for maximum effect has a lot to do with the location effects. I've enjoyed it enough so far that I paid for the season pass. Only 4 weeks though - which seems a bit short and it seems impossible to climb up the ladder to get the rewards. So, I'm feeling a bit miffed by that, but we'll see. I might be wrong on the ladder bit.jpSun, 13 Nov 2022 17:34:15 UTC (PS4) - 13 Nov 2022 - by jp game has a curious dichotomy: it's relaxing to play and not stressful in setting a tone of urgency, while it is also a game where I feel I'm busy all the time always with something I need to tend to next or worry about. Either the plants are going dry, or someone on the boat wants to talk, or whatever is in the kitchen is ready, or something needs harvesting, or I forgot to set the destination and get the boat moving, and so on. I guess that makes sense with the official website's tagline "a cozy management game". I mean, I have to manage stuff - but I'm not sure there's a fail state you can paint yourself into? So, just manage until you're ready to continue. I wonder if nighttime is when I'm supposed to be all about getting catching up? The ship doesn't move, and the game lets you advance time pretty easily (you go to bed and wake up next morning). I wonder if you can work all night? I don't even know if time passes at night? Oooh! I guess I want to try this out... So far it's pretty linear in the progression - boatmates make requests that usually align with the next thing to do in terms of progression (build me this room, which you need to get some resources for, and the next room unlocks more resources, and then you make the boat bigger, etc.). I've currently got three guests on the boat and I've built some stuff and even upgraded the kitchen so I can make some new recipes. It's pretty relaxing actually, slow paced, no urgency, and - so far, no real sense of having to grind stuff out. I'm surprised it's taken this long to get a character off to whatever the afterlife place is. I'm guessing I won't finish the game - but will play enough to see a few characters depart? Also, the 2-player mode is quite fun, the cat becomes playable and can interact with stuff - so, you can collect resources, cook stuff, and more.jpSun, 13 Nov 2022 17:29:52 UTC's Quest: The Complete Collection (PS4) - 08 Nov 2022 - by jp played the first chapter of the game Saturday evening. I never really played much of the original King's Quest games - any of the 7(?) in the series. It's kind of weird then to play this game - not really knowing much of the originals, and have it feel familiar to a vague sense of understanding of some of the things that happened in the original game. The characters hat (with feather) was pretty iconic - and it's referred to a lot in the chapter. But also I remember knowing something about a mirror and a dragon and stuff like that. The game is narrated in raconto (I think that's the term?) - so, there's an old man narrator who is telling his grandkids about his adventures when he was younger, which is what you're playing. So, when you screw up, the narrator addresses the error (sometimes one of the kids pipes up to complain). It reminds of the Prince of Persia Sands of Time which had a similar framing. It really works well. These kinds of games live and die by their puzzles and the writing - I enjoyed the humor in the first chapter, both from characters, situations, and even the art/modeling/animation. I thought it was interesting that there are multiple paths through the game - in this chapter there are 3 puzzles you can do, but you only need one to make progress (doing the other two, which I did, requires quite a bit of extra work - since the puzzles are "gated" buy requiring a coin which you spend on the first puzzle, so doing the other two (which also require a coin) means wandering around the game environment until you find where the coin might be. I also thought it was interesting that some of the "puzzles" are quick-time events and others are real-time (the one where you move the yarn around to trip the strong guy!). So, dexterity and hand eye coordination matter this time around. But, overall it was neat to see the variety in the overall experience. I've "soft" decided not to play the other chapters - mostly due to time (and huge pile of other games to get to) BUT, at least from the icons illustrating the other chapters - it looks like each one will tell a story from a different moment in the life of the King (main character). The character's portrait looks older in each, which I think is a neat thing to have in a game - you're living/playing through the highlights (presumably) of the character's life. This is a perspective that is not that common/usual in videogame narratives, so kudos for that. It also seems that the first episode is the highlight in terms of review scores, so perhaps it's best that I leave ahead as it where? I did like that once you finish the chapter you get a "picture" that has elements representing main decision points/choices you made in the game - so, did you spare the goblins (patience) or kill them quickly (speed?) and stuff like that. Perhaps the biggest surprise (and pop culture touch point) was meeting the short knight (whose name escapes me), but whose voice sounds exactly like the short guy in the movie the Princess Brid. The character that does the poisoned cup switcheroo game. And, lo and behold, there's a scene with that character, with cups, one of which is drugged and then you play a boardgame. I wasn't able to win "fairly" (but got some help by changing the color of the drink in one of the cups, and was then able to trick my opponent into drinking from the drugged cup, thus giving me a turn to set myself up to win). Yay! Is it cheating to cheat in a mini-game inside a game? lol.jpTue, 08 Nov 2022 00:32:58 UTC