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Smashing Bottles (PC) by jp (May 30th, 2026 at 18:16:28) |
Heard about this one recently and got stuck playing the demo on itch (though it's also available on Steam) for a few hours until I got to the final (demo) ending!
It's an incremental game with some interesting things going on - you have a bat and smash bottles, but you have a limited time to do so (in seconds, like max 25 or so after all the upgrades?). When time runs out you can go again or go to the shop to buy upgrades. As expected you want to get more money from smashing bottles and there's ways to do that - spawn golden bottles, champagne bottles (when they smash the corks fly out and can smash other things), and even molotov cocktails (that explode, smashing other things).
There's a few things I thought where nice/clever:
a. The game has two distinct phases (once you unlock molotovs, everything changes, really) - the "you smash" and the "maximize money in the time allowed". In the latter, the game mostly plays itself as the molotovs keep everything getting smashed.
b. The "you smash" has rotating bottles, and since the smashing can take a few hits, there's some interest in smashing champagne such that the cork flies in a certain direction for more damage.
c. The champagne corks are pretty clever - since it gives you a reason to, in the short time you have to smash, choose what to smash a little more carefully. Go for golden or champagne hoping for a productive chain reaction?
Of course there's also a prestige/reset mechanic - from which you can lock a separate bat that smashes.
I'm curious how far things will go once the full game is out - and what the nature of the upgrades will be. I'm really hoping for more variety in the experience beyond the simple "number go up" - in that sense the molotovs seem like they're capping the experience in a detrimental way (even as they were super fun to smash when I first unlocked them.
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Donkey Kong Bananza (NSW2) by jp (May 30th, 2026 at 18:07:32) |
Still playing!
It has an interesting structure in terms of its levels and such - the core metaphor is that you're going deeper into the planet with each level, and they're both thematic and numbered. I got to a point where there's a bifurcation - go right into what I thought was "jungle land" or left into "snow land". I went right did a few more levels, cleared the boss (it was plant/poison land) and in order to continue going deeper I was then told to go back to "snow land"! There's a fast travel/teleport system involving giant worms that can move your around, so it was easy enough to do this, but I was surprised to learn that the fork was just a "choose what order to do these" situation... and also, the entire "fork" makes little sense thematically so I'm curious to see how it's explained and communicated in the interface - will it look like a fork in the "hole" going into the planet's core?
The titular ability (bananza mode!) was a bit underwhelming - you turn into a bigger DK and can now punch things you couldn't before - it lasts a limited amount of time. But, I've since unlocked a new one - DK-bird - where you can glide around (and after paying to unlock) and drop an egg on enemies. The gilding around was important/necessary in the plant/poison levels, and I'm expecting it to be similarly required in the snowy ones. We'll see!
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Hollow Knight: Silksong (PC) by dkirschner (May 13th, 2026 at 14:58:07) |
Kicking myself for not writing an entry when I was playing this 6 months ago. I am cleaning up my wishlist, backlog, and etc., and the FEELING I get when I see Silksong "in progress" is anxiety. I had jotted a few notes in December, as follows:
"It’s true, Silksong is hard. Like, really, frustratingly hard. Like punishingly difficult. I hit a wall at the end of Act 1 trying to beat the Last Judge. The game likes to place benches far away from boss fights, such that retrying boss fights involves slogging back through tough platforming and other sections of the map."
I did kill the Last Judge and complete Act 1. I remember that took a very long time, and that after the Last Judge, I died a few more times and, probably, with shaking hands and rapid heartbeat, said, "I can't do this anymore." Actually, it may have been in one of those rooms with waves of enemies. This innovation is new and unwelcome to Silksong, rooms that lock upon entering and spill several waves of challenging enemies at you. Yeah, I think that is what got me, just being pummeled over and over in one of those rooms, getting tired of exploring the maze-like map, tired of dying, tired of corpse runs, just exhausted. The game became a chore.
Besides that, I loved it, haha. I was definitely into it for a while. It was sublime until it wasn't.
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Turnip Boy Robs a Bank (PC) by dkirschner (May 12th, 2026 at 17:20:35) |
I meant to quickly beat this back in April so I could have a "completion" for the month, but I got really busy after spending barely an hour one afternoon with Turnip Boy Robs a Bank, a bizarre little twin-stick shooter about a turnip...who robs a bank. The game builds off previous games in the series, which I have never played, in which Turnip Boy commits tax evasion and, according to this game at least, seems to have started a war. Work has slowed down for the first time in nearly two months, and while I wait for my next contract to begin, I figured I'd knock this out.
The whole game is silly. The world is populated by sentient fruits and vegetables. You are employed by a pickle / mafia gang leader to rob a bank of a garlic bulb / bad guy / killed your dad. You have a base, where you can get new weapon loadouts by bringing weapons from the bank (always try to return with something new or high-powered!), purchase progression items from the "dark web," and upgrade stuff at another vendor. You go on "runs" to the bank, which are timed (starts at 2 or 3 minutes, goes up to 5 or 6 with upgrades). Runs are over when you die or when you exit the bank. Die and you lose half the cash you accumulated in the run. Survive and you are handsomely rewarded. Upgrade stuff. Go back to the bank. It's a roguelite too.
The bank has a specific layout of rooms, but you'll encounter some randomized areas too, and enemies and treasure are somewhat randomized. Throughout the bank are tons of NPCs with little fetch quests that usually reward you with pictures (fun/ny to look at) or hats (fun/ny to equip). A blueberry might want you to find its wedding ring, a lime wants you to get divorce papers from her lemon husband, a scientist pineapple wants you to find a philosopher mango and ask it an ethical question about experimenting on fruits, etc. I had some good laughs.
In each corner of the bank is a boss. Boss fights were fun, but the most challenging were early on. Once you start upgrading stats, the game becomes easy. It definitely ends up being an "upgrade everything and go nuts on all the enemies!" type game, experience being overpowered.
I haven't played a twin-stick shooter in a while, and while this wasn't revolutionary or anything, it was fun and scratched the itch. I gotta get back to Divinity: Original Sin 2. I might have some extra time till my next gig, so maybe I can boot it up, remember what I was doing, and make some progress this week.
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Castlevania: Dawn of Sorrow (DS) by jp (Apr 27th, 2026 at 22:04:52) |
I got to that point where I hit a monster/boss that just wasn't that much fun, and then I got a bit lost in terms of where to continue making progress, and the backtracking started to get a bit tiresome...as I explored and searched for different paths. So, time to bail!
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Little Nightmares (PS4) by Kia |
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most recent entry: Thursday 30 August, 2018
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Once upon a time she was innocent. Then she was born. Through the same world that created her, she became corrupt. Not all at once, mind you, but little by little. With each struggle came a poison that sank into her bones. It enveloped her mind and blackened her soul. Once upon a time, she was innocent. Now, she is no longer.
If you’ve ever played Little Nightmares, then you know what I'm talking about. As the character Six, you start out ignorant and scared. You’re in a world you know little about with an agenda that’s even more obscure. The only thing you know for certain is that you must escape, alive. If only it were so easy.
Warning: spoilers ahead!
On the first day of playing Little Nightmares I was awash with several emotions, all strung together and manipulated by the story of Six--a tiny girl in a bright yellow raincoat who’s just as lost as you are. You wake up in suitcase bigger than yourself and totter into a desolate world full of grim horrors known as the Maw. The setting is dark, the music ominous but ambient, and the characters strikingly grotesque. With only a lighter and your wits about you, you must traverse the darkness, avoid the monsters, and escape the clutches of death that seem to loom at you from every corner. Sounds like a dream come true, for you horror fans.
In all honesty, I do believe I’m underwhelming Little Nightmares. It isn’t just horror and evil. It’s mystery, intrigue, and lots of tension. It’s insanely beautiful and frighteningly good. If you can stomach a little blood and a lot of death, this just might be the game for you. Just don’t let your kid play it. Seriously. This game is not for anyone under the age of mature! Anyway, back to the doom and gloom.
So you start at the beginning of Little Nightmares. It’s dark and dreary and you have no idea what you really should be doing. You walk. Then you run, sneak, and run some more. The first level is pretty basic, albeit no less eerie. From the second you’re on your feet you’re surrounded by music that’ll pull at your heart and make you jump out of your seat. You’re haunted by ever present darkness, cut through only by the occasional dim light or bright eye. And wherever you go, no matter how hard or fast you run, you’re always surrounded by death. Blood streaks walls and floors, and bodies hang from above. Occasionally you’ll even notice shoes in odd places--a symbolism of death in their own right. It’s as pleasant as it sounds, but it is easy to complete. With only one enemy, Leeches who’ll suck you bone dry the second they have the chance, you’re pretty much guaranteed to die only a handful of times.
The next level, The Lair, isn’t such a walk in the park. In the Lair, you meander through studies, bedrooms, bathrooms, and the like. It’s all cozy, with a side of creepy. The eyes you saw all throughout the first level reside here as well, in the walls and in the doors. It’s as if the game itself it watching you. Waiting. In contrast, the Lair’s monster is a little less...visual. Designed with no eyes and long arms, the Janitor is the first true monster you’ll come upon. In my opinion, he’s also the freakiest. He can’t see you, but he can hear and smell you. Don’t underestimate him. It might just be the last thing you do. That said, you’re going to have to defeat him to finish this level out. So get your running shoes on and get ready to scramble some eggs, or in this case cut off some arms. Don’t worry, it’s all questionably ethical.
Taking down the Janitor is like finishing that big test. It’s exhilarating and will leave you sick in the stomach from all the stress. In terms of moving on with the game, it is well worth the blood and gore. As a human being with feelings, however, you’re free to take a break and reassess your sanity. It’s alright, we understand. Not everyone is born a murderer.
Once you get back to the game get ready to hug some Nome’s and toss some Lady statues around! In the past two levels you should have noticed little gray creatures running around. These are Nome’s. You can hug them for brownie points and an overall achievement. Likewise, picking up the Lady statues and throwing them, so they break, also gives you an achievement. What? I should have stated this sooner? Well, that sounds like something a reasonably sane person would do. Sorry, not sorry. I’m here for the entertainment and adrenaline. If you want reasonable, maybe you should try Limbo instead. Oh, and before I forget, Lanterns are also important. Not only do they give you an achievement if you light them all, but they work as checkpoints. Which means your dead ass doesn’t have to resurrect so far back, so long as you don’t skip over lighting them. This is really good to know, because in this new level, the Kitchen, you’re likely to die more times then you’re willing to admit. No? Okay, maybe that’s just me.
The Kitchen is exactly what it sounds like, plus some blood and insinuated dead bodies. The monsters you’ll find lurking here are the Twin Chefs who are far too happy about throwing you in the oven or shoving you into a fish the second they catch you. I don’t know if this is too soon to mention this, but there’s a lovely little reoccurring theme with Little Nightmares that centers around death. What? You noticed that? Oh. Well, it’s not just any death. Little Nightmares centers specifically on the death of children, particularly eating children. That’s why from here on out you’re more likely to be “devoured” than just straight up murdered. Don’t worry though. It’s all insinuated. You don’t actually see anyone stuffing Six down their throat. At least, as far as I’m aware of.
Anyway, back to the Kitchen and the Twin Chefs. The Kitchen, like all the other levels previous and after it, is gory and horrific. You’ve got a pile of dead bodies and the death of a rat to start with. No, the Twin Chefs do not kill the rat for their own purposes. You do. At least, Six does. As noticed in the previous levels, Six tends to get hungry at one point or another. As a human she does have to eat to survive and so she eats whatever’s in reach. In past times this has been bread or meat. This time, it happens to be a live rat. Yummy! Not. At this point I assumed the creators were just having fun shocking the player. They hint at the rats death before it happens, but it’s still disturbing when it does. The truth of what this escalating “hunger” is, however, is far more than I could have imagined. It’s only in the last two levels that everything becomes clear. I digress. Before I spoil it too much, let's get back into the Kitchen...for a second time.
So the Kitchen. Yeah, I hate the Kitchen. It’s one of the worst levels. It’s not particularly hard, but it’s not easy either. As a puzzle game, you of course have to figure out how to get from point A to point B. Given that you have few hiding spots and are almost constantly chased by an overweight, wheezing, slime-ball doesn’t make this easy. In fact, I had to put my remote down more than once just to breath! Talk about stressful. Perhaps the only fun thing about this level is the fact that you can throw bottles at their head at one point, optional of course, and that you’re able to walk high above them on the rafters like some god. Ha! Take that you wrinkles of blubber. Okay. Maybe that was uncalled for, but in my defense they threw me in the oven. The least they could have done was butter me up first. My rants aside, I still have to admire the design of these Chefs. They are as grotesque as they are supposed to be, with layers of wrinkles, drooping faces, and black beady eyes. That, combined with music that picks up every time your spotted, is enough to put any sane person on edge. Thankfully it is in the Kitchen you deal with them and in the Kitchen they stay. Good puppy.
It isn’t in the Kitchen that the obesity stays, however. The mass of the Guests is directly equivalent with the weight of the meaning. In other words, these new enemies aren’t just enemies. They’re victims to and they deserve our pity! At the very least someone should tell them they’re about to meet their maker. These very round, wrinkled, and masked monsters aren’t just here for sightseeing. They're lured to the Maw for one reason: to be killed. See, told you death was a recurring theme. It isn’t just Six who needs to watch her back. These poor suckers are walking--err rolling--to death's door just as quickly. The only difference is they’re after Six just as much as any other monster found in the Maw. The best way to get through this level is to run! Run for your life! If you can conquer that, you can conquer anything. Even a Nome!
What? Nome!? Weren’t they your friends? Yes. Nome’s are friends, not food. Apparently, however, there is this thing that’s called character development where Six needs to change in order for the story to be more interesting. On one hand the creators did a marvelous job with this. On the other hand, they can all go to hell. Those Nome’s didn’t do anything to deserve to be Six’s next meal. Horrible. Truly horrible. It is at times like this that I question the morality of the game. But as disturbing as that one scene is, it wasn’t bad enough to stop me from playing. If only to see how it ends, I persevered and took Six to the final level: The Lady’s Quarters.
Remember the Lady statues you’re supposed to be smashing? Yeah, fun fact: they represent the final boss and the true evil of the Maw. The Lady is a tall, oppressive, figure that commands the Maw and sends the people to their death. She, in particular, wants you dead. This could be because you’re trying to escape or because you’re disrupting the order of the Maw. Heck, maybe she just loves that bright little raincoat of yours that stands out against the Maw’s otherwise gloomy nature. Whatever the case, you have to kill her to finally end things. To do this the creators came up with a very clever little battle scene. You as a player do not have to do much. Just hold a mirror and point it towards the masked Lady. Faced with her image, the Lady will slowly weaken until, in the end, she can no longer hold herself up. Dramatic much? Yeah, but I honestly thoroughly enjoyed this fight. It was the first time Six was able to stand up for herself and actively do something! She wasn’t forced to just run, hide, or in the case of the Janitor, improvise. Six stood her ground and with the force of the mirror, destroyed her nightmares!
Or did she? See, the best part about this whole video game wasn’t the horror. It wasn’t the monsters. It wasn’t even the music, although I’m completely in love with the soundtrack. The best part of Little Nightmares was the end, because it wasn’t happy. It was just as dark and twisted as the rest of it. Instead of conquering her fears by destroying the Lady, Six devours them. Literally. At battles end the hunger hits, and with no one but the Lady in the room Six goes right for her. Six of course kills her, but more than that, she also takes the powers of the Maw. Thus a new evil is born. With a hunger for death more prevalent than ever, and a power beyond her darkest nightmares, Six ventures out of the Maw--killing everyone in her way as she goes. It's assumed from there that Six will take her hunger and ravage the world. She is evil now, after all. But maybe you have a different opinion. Maybe you think that Six only killed those people because they meant her harm. If that was the case, why hurt the Nome then?
See, in my opinion, the creators didn’t make Little Nightmares for the sake of darkness. They wanted to show that even the most innocent creatures will eventually succumb to evil if subjected to it long enough. It sings true to nature and true to reality. The dark themes might have been pushing some moral issues with you, but for me I think they are necessary. You can’t paint a harsh reality with rainbows and butterflies and still get the same message across. It just won’t be taken as seriously. Whereas, if you drop a little girl in a bright raincoat into the middle of death, everyone’s head will turn. Take that same little girl and make her evil, the same evil she was running from, and everyone will talk. It’s just a fact of life. The most controversial ideas are the ones that make a bold impression. In Little Nightmares case, it’s carved its way into my heart and set up residence. I’m not about to forget about this game anytime soon or the cute little girl in a bright raincoat--no matter how deadly she became in the end.
Forever in love with Little Nightmares,
Kia
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